The Food of War Biennale shifts the front line of conflict from external borders to the internal landscape of the human mind and skin. Under the title Internal Geographies: The Body as a Political Kitchen, we investigate the body not as a static vessel, but as a site of constant transformation, social pressure, and visceral memory. In this framework, the "Kitchen" serves as the ultimate metaphor for the human condition: a space of high pressure, heat, and alchemy where identity is "cooked" by...

A collaboration between Food of War, Javier Núñez Gasco and Museo La Neomudéjar This performance emerges from the convergence of two artistic investigations: Arma muerta (2015) by Javier Núñez Gasco — a hunting shotgun whose barrel has been transformed into a Renaissance flute, constructed to perform the funeral march from Gustav Mahler’s Titan Symphony. Coto Vacío / Hollow Hunt (2025) by Food of War — a participatory inflatable installation developed during the Kárstica Artistic...

Mamacoca / Cocamama is an immersive, itinerant performance and living installation that explores the sacred, political, and botanical memory of the coca leaf. Centered around a main dancer embodying a living plant territory while wearing a heavy, 2.500-textile-leaf ecosystem dress and a vision-restricting ritual mask, the performance uses continuous movement, a specialized soundscape, and a fragile ceremonial ceramic vessel to challenge contemporary narratives around the leaf. Accompanied by...